VICTORIAN PREMIER’S DESIGN AWARDS 2020 FINALISTS

Finalists in the 2020 Victorian Premier’s Design Awards have been officially announced by the Minister for Creative Industries Danny Pearson and are now available to view on the Premier’s Design Awards website. 


OFFICIAL MEDIA RELEASE ON BEHALF OF MINISTER FOR CREATIVE INDUSTRIES DANNY PEARSON

The finalists for the 2020 Victorian Premier’s Design Awards have been announced, showcasing the many ways that Victorian designers and architects are leading the way and designing a new future.

Minister for Creative Industries Danny Pearson announced the 97 finalists for the 2020 awards, which generated a record 365 submissions.

From a solar-powered car to a low-cost sustainable way to keep mosquitos at bay, the Victorian Premier’s Design Awards recognise the many disciplines within the field of design.

The awards shine a light on projects across eight categories including architectural, product, service, fashion, digital and communication design, as well as design strategy.

With Victorian universities leading the way in design education, the student design category recognises excellent projects by the next generation of Victorian designers.

The finalists will now be considered by a panel of design and architecture experts to determine category winners and the overall winner of the Victorian Premier’s Design of the Year.

Winners will be announced at the annual Victorian Premier’s Design Awards ceremony which, for the first time, will be held as part of Melbourne Design Week in March 2021.

The Victorian Premier’s Design Awards were established in 1996 to acknowledge the Victorian designers and businesses that display excellence in the way they use design. The awards are delivered by Good Design Australia on behalf of the Victorian Government.

The awards provide an opportunity for businesses and the community to better understand the role of design in making products, services, spaces and experiences more functional, safe, efficient and attractive.

The awards also raise awareness about the impact design can have on productivity and business outcomes and the role design plays in tackling the challenges of the day to shape a better environment and society.

For a full list of finalists for the 2020 Victorian Premier’s Design Awards, visit premiersdesignawards.com.au.

Quotes attributable to Minister for Creative Industries Danny Pearson   

“Design has always been important but as we emerge from the pandemic, designers are playing a vital in helping to shape new COVIDSafe ways to live.”

“Congratulations to the talented designers and architects who have been shortlisted this year. Their collective work is an impressive showcase of Victoria’s reputation as a place of innovation with creativity at its core.”


Finalists undergo a Second Round Evaluation where the Best in Category Winners and coveted Victorian Premier’s Design Award of the Year are decided by a panel of experts from the design and architecture community.

“It is so encouraging to see such a high calibre of entries in this year’s Victorian Premier’s Design Awards. Making it through as a Finalist is a great achievement and on behalf of the First Round Jury and Creative Victoria, congratulations to the designers and architects behind these inspirational projects,” said Celina Clarke, Chair of the Victorian Premier’s Design Awards

Winners will be announced at the annual Victorian Premier’s Design Awards Ceremony which, for the first time, will be held as part of Melbourne Design Week in March 2021.

Below is a selection of standout Finalists across the eight categories in this year’s Victorian Premier’s Design Awards.

VIEW ALL 2020 FINALISTS HERE.

Photo: Tatjana Plitt

RMIT Capitol Theatre
2020 Victorian Premier’s Design Awards Finalist, Architectural Design

Six Degrees Architects (Architects)
Michael Taylor Architects (Heritage)
GHD (Building Services, Structure, Project Management)
Slattery (Quantity Surveyor)
Schuler Shook (Audio Visual)

The Capitol Theatre was designed by Walter Burley Griffin and Marion Mahoney in 1924 and is regarded as one of the finest cinemas ever designed. The RMIT Capitol Theatre reactivation brings together students, academics, the public and industry within one exceptional venue in the Melbourne CBD. The project retains, restores and showcases the significant heritage fabric of the Capitol Theatre, while also reactivating the building for uses that include teaching, research, cinema, art and performance.

Bardolph Gardens
2020 Victorian Premier’s Design Awards Finalist, Architectural Design

Breathe Architecture

Taking cues from its surrounding context, Bardolph Gardens consists of two single-storey dwellings that set an example for delivering sustainable, affordable and well-designed rental housing. Occupying an under-utilised open space behind two Californian bungalows, Bardolph Gardens is both house and garden. The dwellings are architecturally and formally respectful to the immediate context whilst the interiors are generous, light-filled and warm with outlook to greenery. Designed with a priority towards sustainability, Bardolph Gardens is carefully designed to maximise thermal performance through its building envelope, double glazing and orientation and operates from a fossil-fuel-free services system.

Energy Affordability Training Partnership
2020 Victorian Premier’s Design Awards Finalist, Communication Design

Consumer Policy Research Centre
Community Information and Support Victoria

Electricity and gas prices for Victorian households have increased by almost 200% since the deregulation of Victoria’s energy market in 2002. Research shows that many vulnerable groups including older people, those with limited digital proficiency and low English literacy are unlikely to switch providers and get the best deal. These are often the same groups facing challenges with energy efficiency. The Energy Affordability Training Partnership delivers a human-centred design process to co-create materials and resources with caseworkers, tasked with coaching the most vulnerable of Victorians on energy consumption and affordability.

Melbourne International Jazz Festival Brand and Campaign
2020 Victorian Premier’s Design Awards Finalist, Communication Design

Motherbird

The Melbourne International Jazz Festival is a world-class jazz festival that has been held annually in Melbourne since 1998. The festival takes the underground above ground, showcasing and celebrating jazz culture by leading international artists alongside leading and emerging local talent. Motherbird has worked to reinvigorate the Festival identity, giving it a new lease on life to be a standout amongst a crowded Melbourne festival scene. The preconceived notions of jazz needed to be shattered and put on an exciting new path. The brief: Make room for the past while bringing in the future.

Human-Centred Design Playbook
2020 Victorian Premier’s Design Awards Finalist, Design Strategy

Mathan Ratinam
Sophie Turner
Peta Fawcett

This design guide has been created for Victorian public servants who are designing, procuring or managing human-centred design (HCD) projects. It was developed primarily for public servants who are new to the HCD practice to expand their design literacy, increase the success rate of design-led projects, and to promote the most optimal collaborations and outcomes with design teams embedded in government departments and external design agencies.

Rethinking Supreme Court Access
2020 Victorian Premier’s Design Awards Finalist, Design Strategy

Paper Giant
Supreme Court Victoria

Court can feel intimidating and exclusive to the general public, making it less likely they will claim their democratic right to pursue justice. Access to justice can also be measured by the backlog of cases: are people who seek justice being heard in a timely manner? The Supreme Court of Victoria Registry asked Paper Giant to design a researched-based strategy to make Court more inclusive and accessible while improving process, culture and capability to achieve a low case backlog. Together with Court users and staff, they co-designed design interventions to enable the court to develop and achieve their strategic goals.

Early Algal Warning System
2020 Victorian Premier’s Design Awards Finalist, Digital Design
CSIRO

The Early Algal Warning System monitors water quality and health risks in near real-time reducing reporting turnaround time from weeks to days. It uses combined satellite-based detection and data visualisation systems that monitor algal activity and visualises trends to report on water health. The system monitors rising concentrations of algae across areas of jurisdiction and enables local councils and state authorities to issue alerts and address mitigation as quickly as possible.

Ngarandi
2020 Victorian Premier’s Design Awards Finalist, Digital Design

Isobar Australia
Cox Inall Ridgeway
Dentsu Aegis Network

For over 60,000 years, generations of Aboriginal and Torres Strait Islander people have passed down traditions, knowledge and stories. Ngarandi (which means “to know” in the Dharawal language) was created to bring these stories into the spotlight. Using innovative technology and developed in consultation with the indigenous community, the app seamlessly layers augmented 3D graphics and sounds over the real-world to recreate Aboriginal stories at locations around Australia. The first two experiences are derived from the Eora people, the traditional owners of the areas around Sydney. Users can craft a traditional “Nawi” canoe or catch fish using the techniques of Eora Fisherwomen. Ngarandi is a collaboration between Indigenous specialist agency Cox Inall Ridgeway and digital agency Isobar Australia, incubated by Dentsu Aegis Network’s (DAN) Innovation Council.

Acrididae
2020 Victorian Premier’s Design Awards Finalist, Fashion Design

MNDATORY

After launching in 2016, MNDATORY had operated via concurrent Ready-to-Wear/Made-to-Order business models, releasing two seasonal fashion collections per year, alongside a perennial Made-to-Measure tailoring service for Melbourne customers. Having observed the purchasing behaviour of MNDATORY consumers, key patterns emerged prompting the trial of a new hybrid model (Co-Creation), commencing with the collection ‘Chameleon’ in 2019. Built on MNDATORY’s distinct brand and business DNA, this concept has been further developed with the collection ‘ACRIDIDAE’ – a seasonal fashion collection featuring designer garments that facilitate customisation and personalisation on a mass-scale.

Hew Clothing
2020 Victorian Premier’s Design Awards Finalist, Fashion Design

HEW

Kat Phillimore is a Melbourne based artist with a beautiful illustrative style. Her focus on fauna and flora drawings transfer across to digital prints which creates minimal dye waste. The collection uses biodegradable cotton which has been certified by the independent certification system SO Oeko-Tex. The use of coconut buttons reinforces a strong focus on biodegradable materials with more than 70% of the garments produced in Melbourne at ECA certified factories.

Bauhaus
2020 Victorian Premier’s Design Awards Finalist, Product Design

LEN

Bauhaus is a highly versatile seating system. Commissioned by the National Gallery of Victoria and inspired by the NGV’s Great Hall stained glass ceiling and Alma Seidhoff-Buscher’s timber Bauhaus building blocks. Bauhaus encourages play and interaction, ideally suited across a diverse range of interior workspaces, public seating or education environments.

TOM Organic Period Cup
2020 Victorian Premier’s Design Awards Finalist, Product Design

TOM Organic
Ideation Design

The TOM Organic Period Cup is the first Australian designed and made menstrual cup to be ranged in major supermarkets. The cup’s unique and functional design breaks down barriers to use and brings reusable period care to the masses. The Period Cup is sold with an innovative, first-of-its-kind steriliser case allowing the cup to be discreetly sterilised in the microwave in just 1 minute.

Morespace
2020 Victorian Premier’s Design Awards Finalist, Service Design

Your Creative Agency
Moreland City Council

Presented with the issue of unutilised, unloved vacant properties in an area of Melbourne with a vibrant creative and maker community, Morespace is a unique responsive design kit that activates public thoroughfares and showcases local creative talent while deterring vandalism on retail premises. Morespace can be adapted and applied to any window regardless of size, condition or age. In partnership with local woodworkers, the design solution is a custom retrofittable window box that can be moved and resized to fit the space thus increasing the longevity and overall sustainability of the project.

Y4Y
2020 Victorian Premier’s Design Awards Finalist, Service Design

Nous Group
Whitelion

Nous and Whitelion worked together to develop innovative ways of combatting youth unemployment. Y4Y was designed to consider how opportunities available through the gig economy can be used in employment programs to improve prospects of disadvantaged young people.

ATN GT Solar Car (Priscilla)
2020 Victorian Premier’s Design Awards Finalist, Student Design

Matt Millar
Simon Curlis
Sarawit (Richie) Hongladaromp
ATN
RMIT

Priscilla is a hyper-efficient solar car that promotes sustainable futures for a post-fossil fuel world. The car has a vehicle body designed, developed, and constructed in Victoria by RMIT University Design and Engineering students and staff. It was one of the top contenders in the International 2019 Bridgestone World Solar Challenge (BWSC). Featuring five square meters of solar array, which lifts to face the sun from sunrise to sunset when parked, our solar sports car carries two people, has cargo space for golf bags and luggage for two and is perfect for weekend trips away.

Quito
2020 Victorian Premier’s Design Awards Finalist, Student Design

Kennyjie

Quito is a low-cost and sustainable CO2-based mosquito trap designed to reduce mosquito populations, targeted at the context that is most ideal for mosquito-borne diseases transmission — tropical tourism.

Entomological studies on mosquito behaviour point out that mosquitoes use a combination of CO2 trace from our respiration, our skin scent, and our body heat to land on our blood vessel, the inspiration behind the device that reproduces those cues to capture them in a cleverly designed product form.

VIEW ALL 2020 FINALISTS HERE.

AUSTRALIAN DESIGN COUNCIL

AUSTRALIAN BUSINESS AND INDUSTRY LEADERS LAUNCH DESIGN-LED RENAISSANCE FOR THE NATION.

The Australian Design Council brings together the nation’s top captains of industry, innovators, entrepreneurs and thinkers to reshape the nation post-COVID-19.

Championing design to reinvent and kickstart Australia’s economy in a post-COVID-19 environment will be at the epicenter of the re-established Australian Design Council – a national team of business and industry experts brought together to drive design-led innovation with impact.

The Australian Design Council, initially established in 1958 as the Industrial Design Council of Australia was based on the UK Design Council model, established by Winston Churchill’s wartime government in 1944 to support Britain’s economic recovery. Industrialist and Chairman of BHP, Essington Lewis served as the inaugural Chair.

The Australian Design Council has today announced it has been re-established with Australia’s top business thinkers to lead the nation towards national prosperity and long-term growth using design-led innovation.

Prime Minister Scott Morrison said: “Good design, created by smart people in smart industries, is essential to a country that wants to grow and be prosperous. The envisaged Australian Design Council is about inspiring Australian businesses to embrace design as a tool for growth.”

“The impacts of COVID-19 have been profound: on our society and economy, on individuals and communities. The tragedy of COVID-19 has a human face, and our recovery is a human endeavour. That’s why the Australian Design Council’s journey to its current, refocused and re-energised form, is so exciting. It’s the kind of adaptability – building opportunity out of adversity – that will carry Australia into recovery.

“By asking how they can contribute, reignite, enable and create, the Australian Design Council is in a position to design solutions to problems – big and small, local and global. I encourage Australian business and industry to engage with the Australian Design Council. I think you’ll be surprised by what you come up with when you create an intersection between innovation, investment and productivity.”

The Australian Design Council will serve as a national organisation and have three vital roles:

  1. Advocate to government and industry leaders about the role and value of design to help diversify Australia’s future economy.
  2. Embed design into Australia’s nation-building agenda and policy settings.
  3. Provide oversight to leverage Australia’s design capability into the nation’s future industry development.

Council Member, David Thodey AO believes the Australian Design Council will inspire Australian business leaders to engage Australia’s world class design community to innovate, disrupt and compete in global markets. Great design makes innovation come to life.

“The Council’s aim will be to help the nation move forward through greater collaboration to foster real innovation. Embedding great design in production and as a core problem-solving tool – both being important drivers for our economic growth and competitiveness,” he added.

The Australian Design Council (Pictured above L to R) consists of:

  • Simonne Bailey, Global Head of Strategy and Managing Director of GFG Alliance’s property and funds management business, JAHAMA, owned by British industrialist Sanjeev Gupta;
  • Dr Stephanie Fahey, former CEO of the Australian Trade and Investment Commission –Austrade;
  • Peter Freedman AM, Founder and Chairman of RØDE Microphones;
  • Professor Roy Green, Emeritus Professor and Chair of the Innovation Council and former Dean of the UTS Business School, Chair of the Australian Government’s Innovative Regions Centre, CSIRO Manufacturing Sector Advisory Council, NSW Manufacturing Industries Advisory Council and Queensland Competition Authority, and current Chair of Port of Newcastle;
  • Andrew N. Liveris AO, Former Chairman and Chief Executive Officer, The Dow Chemical Company;
  • Catherine Livingstone AO, Chair of the Commonwealth Bank, Chancellor of UTS and former Chair of CSIRO;
  • Edwina McCann, Editorial Director at Vogue and Chair of The Australian Ballet Foundation Board;
  • Giam Swiegers, Non-Executive Director for Aurecon and former CEO of Deloitte Australia;
  • David Thodey AO, former CEO of Telstra and current Chair of CSIRO.

Australian Design Council Executive Chair, Dr Sam Bucolo said design-led thinking had the power to transform an industry and accelerate the creation of new businesses whose products and services drive growth and sustained competitive advantage.

“After 60 years, we have decided to re-establish the Australian Design Council to address the challenges we are facing today. Design must play a major role in rebuilding our economy post-COVID-19 and the Council will shape how we create new and emerging areas for a strong competitive advantage through design.

Our global counterparts are already doing this and now is the right time for Australia to accelerate the adoption of design in business,” he said.

The Australian Design Council’s first step in raising awareness of the value of design to diversify Australia’s economy has been through the creation of its Design Manifesto – the Council’s action plan to help shape a brighter future for Australia through design.

ABOUT THE AUSTRALIAN DESIGN COUNCIL
The Australian Design Council shares a collective aspiration to help embed design-led innovation as a national priority for Australia. The Council is being re-established as a not-for-profit industry body to advocate for a design-led future for Australia and to champion the role and importance of design to address complex social, economic and environmental challenges.

The Council Secretariat is administered by Good Design Australia.

www.australiandesigncouncil.org