Polestar 3 – 2024 Automotive Design Award

GOOD DESIGN AUSTRALIA’S AUTOMOTIVE DESIGN AWARD IS A SPECIAL ACCOLADE WITHIN THE AUTOMOTIVE AND TRANSPORT CATEGORY THAT RECOGNISES EXCELLENCE IN AUTOMOTIVE DESIGN AND STYLING.

VEHICLES ENTERED INTO THE AUTOMOTIVE AND TRANSPORT CATEGORY IN THE ANNUAL GOOD DESIGN AWARDS ARE CONSIDERED FOR THE BEST EXTERIOR DESIGN AWARD AND BEST INTERIOR DESIGN AWARD AS PART OF THE JURY PROCESS.

Polestar 3 is an SUV designed for the electric age. Created by Polestar, its design seeks to challenge what drivers expect of an SUV without compromising on space, performance and sustainability. The final product is described by Senior Exterior Designer, Nahum Escobedo, as a ‘celebration of technology’. 

The design process behind Polestar 3 is as intriguing as its exterior. From the use of renewable energy during production through to a transparent supply chain, the SUV seeks to offer a sustainable design roadmap for the entire electric vehicle (EV) industry. 

Even at first glance, Polestar 3 is distinct. A closer look reveals that expectation has been replaced with innovation. The SmartZone is just one of the features that embodies this approach. It replaces the grille with a cluster of cameras, radars and sensors that allow drivers to sense their surroundings with meticulous detail. Other remarkable features include an aerodynamic roofline and frameless door mirrors. 

The vehicle has been recognised with the 2024 Automotive Design Award (Best Exterior Design). We sat down with Escobedo and Polestar’s Head of PR and Communications, Laurissa Mirabelli, to explore the vision at the driver’s seat of this impactful project. 

[Nahum Escobedo (right) and Polestar team members designing Polestar 3 Image: Polestar]


GDA: Can you tell us about how Polestar 3’s technology is reflected in its exterior design?

For example… with combustion engine cars, we used to design very large openings to cool down the engine. But now, because of the technology that we have at the moment,  front-facing cameras, radars and sensors, we’re able to showcase that technology in a way that it also makes the car look more modern, unique, and quite different from the rest. And then also the implementation of aerodynamics… How we designed those elements to be a part of it dictated how the car looks.

Nahum Escobedo: We saw an opportunity to showcase the technology that [Polestar 3] has, especially as it starts getting closer to autonomous driving. Showcasing that technology gave us the opportunity to also enhance the character of the car, giving it a different look. 

GDA: Where do you turn for design inspiration during a project like this?

Nahum Escobedo: As a designer, I think you’re constantly working. It’s a 24/7 sort of job. So inspiration, at least for me, it really comes from everywhere. I hardly ever look at other manufacturers or cars or anything like that. My inspiration usually comes from architecture, fashion, aeronautics, product design and graphic design. 

I think that it was very important to apply all those things, to try to find the balance and merge them into this sort of a Scandinavian design that we have. 

It’s quite exciting. It’s [also] very challenging, because you have all this inspiration coming in. But, also our course values being a Scandinavian design brand… Trying to find the balance to make something that looks good, but also ages well and has a timeless design… It’s very, very challenging. So, I try to gather inspiration from all of these other areas.

GDA: Would you say the SmartZone is one of the features of the Polestar 3 that challenges traditional luxury SUVs?

Nahum Escobedo: Yes, for sure. Because, you know, it also allows [drivers] to talk about, not only the car, but also the technology that is behind it. I think nowadays, that is quite important… A lot of the drivers know that there’s a lot of technology in their car. But to be [also] able to talk about it not only gives it a special look, but it creates interest.

I think celebrating technology is a big part of Polestar as a brand. We are doing things quite differently than they’ve been done before.

[Polestar 3 – Winner of the 2024 Good Design Automotive Design Award (Best Exterior Design) Image: Polestar] 


What was your initial vision for the aesthetic of the Polestar 3? Did it evolve over time?

Nahum Escobedo: From one of my first sketches when we were trying to develop or compete for this design… I didn’t really want to do a typical SUV. You know, usually… you will start with the silhouette. The silhouette will sort of redefine the type of vehicle. And at that time, there were two very distinctive silhouettes, which is the seven seater, typical SUV that you have, and then also this coupe that other brands have been exploring. 

I really wanted to create something different. Something in between that didn’t exist yet but also offers the capabilities of an SUV… This is also why you see a wing on the Polestar 3. Right now, this is probably the first SUV that has a wing on the front. 

So, you know, taking this approach of, ‘Why do we always have to go with the same sort of solutions?’ For me, at the beginning, it was okay to challenge that. And luckily… it carries into what it is now. Because this is, you know, it’s not your typical seven seater, it’s not a people mover. But, it’s a very exciting SUV that still has a lot of space and the capabilities of an SUV.

GDA: What would you say were the biggest design challenges that yourself and the team faced while creating Polestar 3?

Nahum Escobedo: I will say, integrating the wing and the front. Developing or designing something that doesn’t look like what everyone is doing was very, very challenging… I think nowadays, aerodynamics dictates so much about how the car looks from the exterior. And so for me, that was one of the biggest challenges. Also, having this very low roof and also keeping the interior space intact was quite crucial. 

As a brand this was our first electric SUV. So we had a lot of challenges, not only from the design point of view, but also when it comes down to the construction and the architecture of this car… I have to say, it was very tough, but we’re super happy that we ended up with this design and this look.

[Polestar 3 – Winner of the 2024 Good Design Automotive Design Award (Best Exterior Design)  Image: Polestar] 


 GDA: How does Polestar three propel a shift towards sustainability?

Nahum Escobedo: In 2020 we designed the Polestar Precept and this was sort of our beginning of looking into sustainable materials. Polestar 3 was sort of our first car where we started to really implement this process. [We started] really tracing, working with suppliers to develop new materials.

Mirabella: At the time, a lot of these materials weren’t readily available. For example, the flax composite. That took a really long time to perfect so that the two teams, from a product side, could evolve into what the designers needed to develop for the vehicle. That was a really exciting development… 

One of the really exciting things was the use, and we already had this in Polestar 2, but expanding again in terms of our traceability. So, using Blockchain technology to track and trace, not just cobalt, mica and leather, which we already had been doing, but also extend that to nickel and lithium.

Leather is a really interesting one, because we only take what’s wasted after the meat and dairy industry is finished. So we’re not creating a new waste stream, which is why the leather is actually very stable. That’s why you’ll see the impact proudly displayed on the headrest of Polestar three. 

Then beyond that we had the life cycle assessment report validated by an external party called Ricardo. It’s very transparent. It’s sharing our methodology. You can go and have a look at how they evaluated the impact of different materials in the vehicle, but then to have that backup of an independent body that says, ‘Yes, we can certify that this vehicle’s impact is correct, and the impact at launch is less than the Polestar 2 when it was launched.’ 

There’s been a lot of learnings along the way that have led to this vehicle, and it continues beyond Polestar 3.

[Polestar 3 – Winner of the 2024 Good Design Automotive Design Award (Best Exterior Design) Image: Polestar] 


What effect do you hope that this sort of innovation will have on the electric vehicle space?

Nahum Escobedo: I think this will have a big impact… I mean, now designers have a big responsibility. It’s not just about creating a beautiful object that can take you from point A to point B. We also have to be very conscious of the decisions we’re making. 

And so I think at least my dream will be that, and I’m not just talking about Polestar, other companies will collaborate more with suppliers to really push the envelope and then make a change for a more sustainable future. 

And I think if we do that, not only will the cars look different, but also my hope is that you will be driving [feeling] even happier. [Because] you know that you’re making a big change in the environment. But the more we explore this avenue, I think cars and the look of the cars will change a lot.

Mirabella: I think that leads into Polestar’s position on climate neutrality. We talk very openly about electric cars not being clean today. They are still the best option, but there’s a long way to go. The way that you do that is that you charge with renewable energy during the usage phase, but you look back down the supply chain to address all the emissions down the line. 

So exactly what Nahum is saying, that you need to collaborate more within the industry to drive change among suppliers and in manufacturing as well. It doesn’t take just one brand to do that. It takes collective action. And so that’s really what Polestar is pushing for as it moves towards creating a climate neutral car in 2030. It’s something for the whole industry to get involved in and get behind.


Designing cleaner, driving happier 
In the spotlight of the 2024 Automotive Design Award (Best Exterior Design), Polestar 3 invites other brands to join their movement towards sustainable mobility. Design process inclusions like the life cycle assessment report represent a commitment to industry-wide change. Overall, this design project was underpinned by collaboration and optimism from day one. The result? A luxury SUV that’s beautiful from the inside out.

Elivio Bonollo AM – 2024 Australian Design Prize

The Australian Design Prize accolade was established to recognise individual designers who are making, or have made, a significant impact in Australian design over the course of their career.

In the vibrant world of Industrial Design, few names resonate as strongly as the late Elivio Bonollo AM (Professor Livio Bonollo). His pioneering vision and boundless creativity didn’t just shape the future of design; they sparked a monumental shift in Industrial Design education and practice, urging designers to push boundaries and dream bigger. Through his innovative work, he profoundly influenced how design is taught and practiced, forever altering the landscape of the field.

Beyond his influential roles at the University of Canberra’s Faculty of Arts and Design, where he delivered dynamic lectures, conducted revolutionary research, and nurtured PhD students, Bonollo’s impact extended far beyond academia, sparking a ripple effect of inspiration and innovation across the industry. 

His legacy is marked by a deep commitment to excellence and a genuine engagement with everyone through empathy, respect, and compassion. This approach fostered a culture of creativity and personal growth that deeply inspired those around him.

Honoured with a Member of the Order of Australia (AO), his legacy continues to fuel ambition among the next wave of design leaders. The impact of his work continues to reverberate throughout the global design community, setting new standards and inspiring future generations to dream, create, and lead.

[2024 Australian Design Prize – Posthumous Award Recipient Livio Bonollo AM Image: supplied]

“Good Design Australia is honoured to announce Professor Bonollo as the recipient of a 2024 Australian Design Prize,” said Dr. Brandon Gien, Chair of Good Design Australia.

“In a world where design profoundly influences how we live, work, play, and grow, good design – marked by purpose, humanity, and integrity – is more crucial than ever. This year’s theme, ‘The Design Effect,’ highlights the significant ripple effects of exceptional design on individuals, communities, and the world. 

“Professor Livio Bonollo embodied this spirit with his unwavering passion and supportive approach, defining his remarkable contributions to the industry and its people.”

“This Award is a testament to his role driving Industrial Design education in Australia and beyond. I was proud to be one of his many PhD students and it is a memory I will hold dear to me for the rest of my design career,” he added.

A Legacy of Innovation and Leadership

Professor Bonollo joined the University of Canberra in 1997, beginning his tenure as the Dean of the Faculty of Environment Design. His visionary leadership not only shaped the faculty’s future but also set a new standard in design education.

Bonollo’s leadership continued as he took on the role of Pro Vice-Chancellor for Industrial Design from 1999 to 2001, and he also directed the Design Research and Development Group from 2000 to 2003. From 2003, he held the esteemed position of Emeritus Professor in Industrial Design at the University.

Before his impactful career at the University of Canberra, Professor Bonollo made significant strides at RMIT and Monash University. At RMIT, he was the principal author and lead developer of the original Industrial Design Degrees, establishing a new benchmark for design education. At Monash University, he furthered his legacy by founding and directing the Centre for Industrial Design, reinforcing his reputation as a leading innovator in the field.

A Champion for Supportive Education

Bonollo’s influence transcended his own remarkable achievements, leaving a profound impact on both seasoned industry veterans and emerging talents. His unwavering dedication to fostering the next generation of designers was exemplified through a teaching and mentorship style that was both nurturing and transformative.

Well-regarded for his empathetic and patient approach, he fostered a supportive environment for both undergraduate and postgraduate students, consistently showing a strong commitment to helping others achieve their full potential. His interactions were always marked by a thoughtful balance of respect and compassion.

“It’s one thing to be among the brightest minds in the industry, but Professor Bonollo’s true brilliance was his ability to blend exceptional expertise with a transformative, supportive and empathetic approach. His impact was not just in shaping the industry’s future but in profoundly changing the lives of those entering it,” said Dr. Gien. 

In 1982, he served as the Vice-President of the Industrial Design Council of Australia (IDCA), Victoria Chapter, and later became the Foundation Co-Director at the National Institute of Design in 1997. Through these roles, he played a key part in shaping the global conversation on Industrial Design.

He also shared his expertise as a Visiting Professor at institutions such as the National University of Singapore and Ubon Ratchathani and Mahasarakham Universities in Thailand. His extensive publications and international collaborations earned him the distinguished title of Cavaliere from Italian President Giorgio Napolitano in 2008, a testament to his significant contributions on the global stage.

A Lasting Contribution to Design 

In 2024, Professor Bonollo was honoured with the appointment of Member of the Order of Australia as part of the King’s Birthday Honours. This recognition celebrated his significant contributions as a PhD supervisor, scholar, and leader in Industrial Design.

Alongside his impressive academic achievements, Professor Bonollo made a significant impact on design literature. His book, Product Design: A Course in First Principles, was recognised by BookAuthority as one of the “Best 100 Books on Design of All Time” in 2020. This accolade highlights not only his deep understanding of design principles but also his talent for explaining them in a clear and engaging manner.

[Product Design: A Course in First Principles by Elivio Bonollo. Image: supplied]

Professor Livio Bonollo’s career beautifully illustrates how passion, empathy, and creativity can profoundly reshape an entire industry.

“His remarkable legacy shows that true influence is found in not only sharing deep wisdom but also in wholeheartedly nurturing and inspiring others to greatness,” said Dr. Brandon Gien, Chair of Good Design Australia. 

As we honour Professor Bonollo’s contributions, we’re reminded of the value of a compassionate and dedicated educator. His story serves as an inspiration to all who strive to make a difference through their work and to those who seek to uplift and empower others along the way.